痴心女子负心郎[电影解说] 电影解说

片名:《痴心女子负心郎[电影解说]》

类型:短剧

上映时间:1948

上映地区:美国

导演:刘易斯·艾伦

主演:雷·米兰德,安·托德,杰拉丁·菲茨杰拉德

集数: 更新至0集

语言:

【天乐影院】推荐短剧痴心女子负心郎[电影解说]高清在线观看完整版720P播放地址，这是一部追求真实的短剧，展现了社会与人性的多面性，让人大开眼界。痴心女子负心郎[电影解说]的导演刘易斯·艾伦巧妙地运用镜头语言，将故事情节展现得淋漓尽致，让观众们如同身临其境。

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《痴心女子负心郎[电影解说]》抖音网友点评：痴心女子负心郎[电影解说]由导演刘易斯·艾伦执导拍摄，剪辑手法独具匠心，每一个过渡和剪辑都恰到好处，给人以耳目一新的感觉；痴心女子负心郎[电影解说]的音乐配乐优美，旋律中藏着故事， 画面里流淌情感，这是一部精彩的短剧，打动了观众的情感，让人感到震撼。

痴心女子负心郎[电影解说]讲述了：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.