冰刀 HD中字

片名:《冰刀》

类型:恐怖片

上映时间:1972

上映地区:其它

导演:翁贝托·伦齐

主演:卡罗尔·贝克,艾伦·斯科特

集数: 更新至0集

语言:其它

【天乐影院】推荐电影冰刀高清在线观看完整版720P播放地址，这是一部追求真实的其它恐怖片，展现了社会与人性的多面性，让人大开眼界。冰刀的导演翁贝托·伦齐巧妙地运用镜头语言，将故事情节展现得淋漓尽致，让观众们如同身临其境。

《冰刀》观后点评：冰刀的故事设定太有意思了！充满了新奇和创意，让人越看越好奇后面会怎样发展；冰刀的演员有卡罗尔·贝克,艾伦·斯科特，他们个个演技精湛，将冰刀的角色性格特点表现得淋漓尽致，让观众情不自禁地为之喝彩，真是一部好看的电影。

《冰刀》抖音网友点评：冰刀由导演翁贝托·伦齐执导拍摄，剪辑手法独具匠心，每一个过渡和剪辑都恰到好处，给人以耳目一新的感觉；冰刀的音乐配乐优美，旋律中藏着故事， 画面里流淌情感，这是一部精彩的电影，打动了观众的情感，让人感到震撼。

冰刀讲述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.