卧龙战警 正片

片名:《卧龙战警》

类型:动作片

上映时间:1992

上映地区:美国

导演:比尔·杜克

主演:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯

集数: 更新至1集

语言:英语

【天乐影院】推荐电影卧龙战警高清在线观看完整版720P播放地址，这是一部追求真实的英语动作片，展现了社会与人性的多面性，让人大开眼界。卧龙战警的导演比尔·杜克巧妙地运用镜头语言，将故事情节展现得淋漓尽致，让观众们如同身临其境。

《卧龙战警》观后点评：卧龙战警的故事设定太有意思了！充满了新奇和创意，让人越看越好奇后面会怎样发展；卧龙战警的演员有劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯，他们个个演技精湛，将卧龙战警的角色性格特点表现得淋漓尽致，让观众情不自禁地为之喝彩，真是一部好看的电影。

《卧龙战警》抖音网友点评：卧龙战警由导演比尔·杜克执导拍摄，剪辑手法独具匠心，每一个过渡和剪辑都恰到好处，给人以耳目一新的感觉；卧龙战警的音乐配乐优美，旋律中藏着故事， 画面里流淌情感，这是一部精彩的电影，打动了观众的情感，让人感到震撼。

卧龙战警讲述了：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.